Diabatic Dance/La danza trapassante (advanced training course directed by Claudia Castellucci). Seminar on 18â19 November 2024
Residency at Academia Belgica, Rome. October, November, December 2024
A Talk on Metre by Amelia Rosselli. English translation and editing. With Phil Baber, for The Last Books. Fall 2024
DPhil candidate in Medieval & Modern Languages (Italian), University of Oxford
Lecturer (typography & writing, thesis supervisor) & researcher, Royal Academy of Fine Arts, Antwerp.
âOf muscular movements and mental formsâ, lecture for the public program of The Weight of the Concrete, Grazer Kunstverein, 29 February
âSunt aliquid manesâ (the ghosts are something). Lecture at LAMEM Colloquia (Late Antique-Medieval-Early Modern Faculty Working Group); This reading starts from Propertius VI, 7 to investigate âaliquidâ as an early apostrophe to the fragmentation of the lyric subject across translation, prosody, Latin epigraphy and contemporary Italian poetry. Brooklyn College, CUNY, New York City. April 3, 2024
âio allora basta cosiĚ, ringrazioâ⨠Poetiche del congedo nellâopera di Patrizia Cavalli. Lecture part of the programme âThese lovely sheaves of poetryâ A conference-tribute to Patrizia Cavalli. Senate House Library, London. 15â16 December
âKnow how to now itâs that youâre learning the segments / That arenât sentences at all and converse with each otherâ. Readings on the poetics of measure (with Alice Notley, Mayra A. RodrĂguez Castro, Phil Baber, Will Holder, Snejanka Mihaylova, amongst others). Antwerp 14â15 September 2023
Kathy Acker: GET RID OF MEANING (design with Will Holder), published by Badischer Kunstverein and Verlag der Buchhandlung Walther und Franz KĂśnig. â Find it at Buchhandlung Walther KĂśnig (EU) or City Lights Bookstore, San Francisco (US)
Cristina Campo. Il senso preciso delle cose tra visibile e invisibile. Saggio âUna lieve tunica di fuoco.â Mimesis Edizioni, 2023. â Cfr. Intervista a Chiara Zamboni (ed.) su RAI Cultura.
TTY. Lecture & writing workshop at Piet Zwart Institute ââ Experimental Publishing. With Martino Morandi. April 2023
On Tradition â Future Ancestors 3 at DAI (Dutch Art Institute), at Nida Art Colony. With Snejanka Mihaylova and Claudia Castellucci, for IF I CANâT DANCE. January 2023
Hands, letters, holes, silences and songs. Research class on writing and computing starting from a Teletype machine. With Martino Morandi at Royal Academy of Fine Arts, Antwerp, 24â28 October 2022
Una âlieve tunica di fuocoâ, lecture for the conference Cristina Campo: Il senso preciso delle cose (e il loro centro altrove). Organised by Chiara Zamboni (Diotima). University of Verona, 7 June 2022
âSunt Aliquid Manesâ (there are some ghosts): notes on metre, rhythm and inscription. Lecture and workshop with Anton Stuckardt. + writing workshop with Ines Cox. HfG Karlsruhe, 30â31 May 2022
Literary translation & editing for the Danish Pavilion, 59. Esposizione Internazionale d’Arte, La Biennale di Venezia, 2022
“The Source is Rock, the Tongue is Severed”, at KW Institute of Contemporary Art, Berlin. Presented on the occasion of the launch of F.R.DAVID Spring 2022 issue âTake, Eatâ. With RADIANT, by Black Spirituals, selected by Will. KW Digital, April 2022
On Tradition â Future Ancestors 2: Rurality and Law at BACO with DAI (Dutch Art Institute). With Snejanka Mihaylova, for IF I CAN’T DANCE. Seminar on writing and translation in the work of Cristina Campo and Amelia Rosselli. March 2022
The Hide, a film by Keira Greene (title design and typography). March 2022
âTake, Eatâ, F.R. DAVID, Spring 2022 (co-editor, contributor), published by uh books and KW Institute for Contemporary Art, Berlin, 2022. â Find and it at rile* & Printed Matter, Inc.
Glossator 11: Cristina Campo: translation/commentary (editor and translator, with Nicola Masciandaro), published by Open Humanities Press, New York, 2021. â Find at rile*, After 8 Books, or.
âThe Source is Rock, the Tongue is Severedâ Word Spacing and the Alphabetisation of Silence, a 2400 lecture at Karlsruhe University of Art and Design, February 2021.
Lâorso allo specchio by Simone Forti (Italian translation of The Bear in the Mirror), published by Kunstverein Publishing, Milano & Vleeshal, Middelburg, with the support of Galleria Raffaella Cortese, Milano, 2020. â Find it at Soundohm, Fondazione Bonotto.
Blind Sensorium Sourcebook by Armin Linke (designed with Mevis & van Deursen), 2020
Resistance by Lyn Hejinian (editing, with Will Holder, and afterword), published by uh books, 2019. â Find it at rile*, After 8 Books
Portraits of Places, Bibliothèque Kandinsky, Paris + Journal de lâUniversitĂŠ dâĂŠtĂŠ de la Bibliothèque Kandinsky N° 5 (essay and design, with Robert Milne), published by Centre Pompidou, 2019
Our Ladies From the Outside (column in Giornale di Sicilia for Nora Turato and Manifesta 12), 2018
Andrea di Serego Alighieri
Verona, 1988
MA Comparative Literature, University of Amsterdam
Jan van Eyck Academie, Maastricht
BA Graphic Design, Gerrit Rietveld Academie